1. |
Polybius
04:34
|
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2. |
Underground Concourse
02:55
|
|||
3. |
Random Violence
03:58
|
|||
4. |
Doctor Cameron
02:32
|
|||
|
LSD
And human subjects
Flower Power
Ain’t got nothin on Doc Cameron
Electro-convulsive therapy
Thirty to forty times the standard power
Dark moments in history
Erased
The Allan Memorial Institute
Montréal
Missing Time
Amnesia
Heard Cameron was involved with
The psychiatric evaluation
Of Rudolf Hess back in ’45
Between the past and the future,
The real and the imagined
Lay the perpetual present
And as they slip the helmet over
Your head
Doctor Cameron smiles.
|
||||
5. |
Hidden Passage
02:42
|
|||
6. |
Up Up & Away
02:35
|
|||
7. |
Back in the Sixties
03:07
|
|||
8. |
Animal Crackers
01:01
|
|||
9. |
||||
10. |
Broken Freedom
05:25
|
|||
|
We were slaves all our lives. My mother was a slave, sister was a slave,
father was a slave.
Didn’t know nothin about readin and writin. All I know they teach you is
mind your master and missus.
Momma and them didn’t know where to go, see, after freedom broke.
Just turn, just like you turn something out, you know.
Didn’t know where to go.
They take that ol woman, poor ol woman,
carried her in the peach orchard, and whipped her.
And, you know, just tied her hands this a way, you know,
round the peach orchard tree.
I can remember that just as well, look like to me I can,
and round the tree and whipped her.
You know, she couldn’t do nothing but just kick her feet, you know,
just kick her feet.
But they, just had her clothes off down to her waist, you know.
They didn’t have her plum naked,
but they had her clothes down to her waist.
And every now and then they’d whip her, you know,
and then snuff the pipe out on, you know,
just snuff the pipe out on her.
You know, the embers in the pipe.
I don’t know whether you ever see a pipe smoking.
“They put it out on her?”
Um-hum, um-hum.
“Good Lord! Have mercy!”
Now I couldn’t go from here across the street,
or I couldn't go through nobody's house
’out I have a note, or somethin from my master.
And if I had that pass—that was what we call a pass—
if I had that pass I could go where ever he sent me.
And I’d have to be back, you know,
whoever he sent me to, they, they’d give me another pass.
And I’d bring that back so as to show how long.
When we were slaves, we couldn’t do nothing, you see.
After we got free we didn’t know nothing to do.
And my mother, she, then she hunted places,
and she bound us out for a dollar a month.
We didn’t have no property.
We didn’t have no home.
|
||||
11. |
The Meeting
02:30
|
|||
12. |
Voyeur
02:26
|
|||
13. |
Gordy’s Birthday
01:51
|
|||
14. |
The Cronus Figment
04:38
|
|||
15. |
||||
16. |
Waste Management
01:44
|
|||
17. |
||||
18. |
Up Up & Away [Reprise]
03:06
|
|||
Kid Mania Ontario
Experimental artist / producer / DJ living in Northern Ontario, Canada.
Kid Mania recommends:
NUMBERS
by CREME RINSE すすぎとリピート
Next level sci-fi, broken transmission, plunderphonics
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Experimental electronica, dark ambient, future sound
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supported by 6 fans who also own “LURE”
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Welcome to the Craft Store!®
by nofriendsonline
supported by 5 fans who also own “LURE”
Charming little album, takes me back to appreciate the comfy, mundane times of waiting in line & browsing colorful stores with endless possibilities. I should go window shopping again sometime.
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Topographic Relief Vol 6
by Various Artists
Warped, woozy vaporwave that builds suspense and unease with long, gauzy sheets of sound. Psychedelic and hypnotic.
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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